boggy.netlify.app

1. Michael Kiwanuka One More Night
2. Michael Kiwanuka Falling

Home Again, the debut album by Michael Kiwanuka, is a curious debut for the winner of the BBC Sound of 2012 poll. It may be available as a download but it desperately wants to be a 33rpm vinyl record with a faded sleeve that first entered the second-hand record market around 1973, rather than a 21st-century artefact.

: Western Springs Stadium - with Mumford & Sons: Auckland, New Zealand: Tickets:: Entertainment Centre - supporting Mumford & Sons. Artist: Michael Kiwanuka Album: Home Again (Jan 3, 2012) Format: flac - lossless Summary [Last.fm]: Michael Kiwanuka is a British musician of Ugandan heritage who writes songs combining soul and rootsy folk influences and sings them with a deep, husky soulful voice. Download nas illmatic album free. Play and Listen michael s new single i ll get along taken from the debut album home again album available to buy now smarturl it kiwanukaalbum connect with Michael Kiwanuka - I'll Get Along Mp3 By MichaelKiwanukaVEVO Publish 2012-04-30.

It begins gorgeously, with little flurries of flute on the minor-key 'Tell Me a Tale'. The producer is Paul Butler, whose day band, the Bees, specialise in this sort of expertly turned period shading. Throughout, Butler is revealed as a key factor in making Kiwanuka something greater than just the next soul man on the UK's retro-pop conveyor belt, something akin to a hipper James Morrison. Unfortunately, the early promise of this lush, jazzy slice of yearning isn't quite kept by the rest of the album.

Raised in north London by Ugandan parents, the young Kiwanuka tussled with his identity as a guitar-loving black kid. Until, that is, he discovered first Jimi Hendrix and then Otis Redding and eventually found his spiritual home: a vintage Venn overlap in which soul artists, folkies and the late 60s, early 70s singer-songwriters conjoin harmoniously. Embraced by Communion Records, home of the Mumfords, Kiwanuka was able to quit his session-musician day job (reluctantly abetting pop-grime hotshots such as Labrinth and Chipmunk) and strum more meaningfully. He is now signed to Polydor.

'Home Again' is a song by British soul musician Michael Kiwanuka, from his debut studio album Home Again. It was released as his debut single in the United Kingdom via digital download on 1 January 2012. On 8 January 2012 the song entered the UK Singles Chart at number 37, going on to 29 the following week. Michael Samuel Kiwanuka (born 3 May 1987) is an English soul musician who is signed to Communion Records. He has been compared to Marvin Gaye, Curtis Mayfield, Bill Withers, Randy Newman, Terry Callier, and Otis Redding, as well as Van Morrison and the Temptations.

Michael Kiwanuka One More Night

Having spent so long as a fish out of water, Kiwanuka knows a thing or two about longing ('I'm Getting Ready,' avers one song) and about the pleasures of finally coming home. The title track starts out like prime Later With Jools Holland fodder, the sort of 'quality' nodding, strumming guff that has afflicted the nation since David Gray. Then something unexpected happens: Butler double-tracks Kiwanuka's vocal, adds a shuffling drum beat and suddenly we're in Bon Iver territory – hazy and magical.

It doesn't last. Charm exudes from songs such as 'Bones', with its brushed drums, doo-wop call and response, and churchy expressions of love. Burger shop free download. But there are not quite enough of these moments on Home Again, a record that settles into a nicely crafted, twinkly retro rut without really grabbing you by anything more vital than your lapels; tweedy, bespoke, second-hand. 'I Won't Lie' has all the trappings of a thoughtful gem in the vein of Marvin Gaye. But trappings are all they are – Butler's rumbling drums and ebb-and-flow arrangement expose Kiwanuka's contribution: his voice never catches, his vulnerability is never underscored; he merely sings his words nicely.

Like his co-star of 2012, the Brits-anointed Emeli Sandé, Kiwanuka is undoubtedly gifted and, like her, seems preternaturally middle-aged, an old soul in a 25-year-old body whose need to appear mature at all costs is troubling. Home Again is in no way an unpleasant record, but its unity of sound, tempo, era and purpose is less Aristotelian than it is just a little ho-hum. Unlike the work of Kiwanuka's forebears – Bill Withers, Terry Callier et al – you don't come away from Home Again changed by its insights. Instead, you have just filled the air with some nice sounds.

An age ago, major labels signed artists knowing it would take three, four, or even five records before she or he matured sufficiently to build a a dedicated audience. Some labels even signed 'prestige artists,' those who wouldn't necessarily make boatloads of cash, but their presence on one's roster would attract those who would. These days, the expectations for someone to deliver out of the gate are ridiculous. Michael Kiwanuka is the promising British singer/songwriter who won the BBC Sound of 2012 poll. Home Again is his full-length debut. From the front cover you can see -- then hear -- how everything about this album and Kiwanuka's image is laser-focused on the retro pop and soul vibe that saturates his country's music scene. The Bees' Paul Butler produced all but one track here. A throwback approach is his signature and, considering what Polydor wanted, may actually seem warranted given Kiwanuka's wise-beyond-his-years singing voice and songwriting style. There are very bright moments in this mesh of organic sounds (that are occasionally embellished -- very slightly -- by Moogs). Kiwanuka and Butler play an astonishing array of instruments here, and are ably assisted by select session players elsewhere. Standouts include the opening 'Tell Me a Tale,' the set's strongest cut. Kiwanuka's voice resembles Terry Callier's closely enough to warrant Butler virtually aping Charles Stepney's production style. 'Bones,' with its combination of doo wop backing chorus, brushed hi-hats, and jazzy guitar vamp, finds Kiwanuka in fine yet contrasting world-weary voice. The blues in 'Worry Walks Beside Me' are underscored by a shimmering B-3 just behind a hazy electric guitar and stacked backing vocals. The title track commences with a fingerpicked acoustic guitar, but a Rhodes piano, multi-tracked cellos, and even a doubling of Kiwanuka's vocal brings us into contemporary indie terrain. But there are problems. Butler's attempt at making a record sound vintage paints by the numbers so carefully that he never gets below a song's surface -- despite the emotional intensity in Kiwanuka's voice. Also, while Kiwanuka is extremely talented, his songwriting needs work; some tunes are weighed down by clunky melodic or clumsy lyric turns. Despite difficulties, Home Again is a promising debut by an artist who will no doubt deliver big if developed properly.

Michael Kiwanuka Falling