Nas It Was Written Download Zip
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- Nas Spotify
- Nas It Was Written Album
- Nas It Was Written Lyrics Illmatic
- It Was Written Album
- Nas It Was Written Download Zip
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Listen to It Was Written now. Listen to It Was Written in full in the Spotify app. Play on Spotify ℗ 1996 Columbia Records, a division of Sony Music Entertainment.
10 Songs, 39 Minutes
EDITORS’ NOTES
Nas Spotify
Nas lied to us. Four tracks into his debut album, he told listeners, “The world is yours,” but he was wrong. And if he didn’t know it going into the release of Illmatic, he knew almost immediately after. As the critical rap universe would assure him, the world belonged to Nas himself—a New York rap prodigy hailing from the talent-rich Queensbridge housing projects whose 10-track debut realized the promise he’d shown as a guest MC on Main Source’s “Live at the Barbeque.” And while the album was immediately recognized as a gem by those in the know, its impact on hip-hop at large would only fully be appreciated in the years following.
Illmatic is only nine actual songs (not counting opener “The Genesis'), and while it was reportedly released in haste to combat the rampant bootlegging of an early version, it’s no less heavy a listen. Its first single, “Halftime,” appears on the soundtrack of the 1992 film Zebrahead and, coupled with his “Live at the Barbeque” verse, positioned Nas as hip-hop's next great MC, well before an album was ready. With Illmatic, Nas' poetic aptitude reveals itself, the MC introducing turns of phrase and perspective previously unheard within the art form. “My mic check is life or death, breathing a sniper's breath/I exhale the yellow smoke of buddha through righteous steps/Deep like The Shining, sparkle like a diamond/Sneak a Uzi on the island in my army jacket lining,” he spits on “It Ain’t Hard to Tell.”
Illmatic’s sample-heavy sound comes courtesy of a veritable dream team of production talent (DJ Premier, Large Professor, Q-Tip, Pete Rock, and L.E.S.), a lineup that helped to break a long-standing tradition of single-producer hip-hop albums. Together they present a unified vision of the murky, guttural, jazz-heavy hip-hop that would come to define the '90s New York sound. Aside from L.E.S., the group were all established in their lanes, but they'd elevate their practices for Nas, an MC of his caliber making it that much easier for everyone to shine. Over menacing piano lines (“N.Y. State of Mind”) and horn stabs (“It Ain't Hard to Tell”), Nas is able to transition seamlessly and continuously between freewheeling non sequiturs and vivid storytelling (a verse from “One Love” would inspire a scene in video director Hype Williams' feature film Belly).
The only person who gets a guest verse on the effort is AZ (“Life’s a Bitch”), and the Brooklyn MC makes the absolute most of the opportunity, effectively writing himself into history by “visualizin' the realism of life in actuality.” Did AZ know then what Illmatic would go on to mean for Nas and for hip-hop in general? Was he aware of the album’s potency and its likelihood to launch the man they called Nasty Nas toward superstardom while also setting a course for him to become an all-time great? Or was AZ simply chasing his own moment, another victim of Nas' unintentional goading, believing his friend when he told him, “The world is yours.”
EDITORS’ NOTES
Nas lied to us. Four tracks into his debut album, he told listeners, “The world is yours,” but he was wrong. And if he didn’t know it going into the release of Illmatic, he knew almost immediately after. As the critical rap universe would assure him, the world belonged to Nas himself—a New York rap prodigy hailing from the talent-rich Queensbridge housing projects whose 10-track debut realized the promise he’d shown as a guest MC on Main Source’s “Live at the Barbeque.” And while the album was immediately recognized as a gem by those in the know, its impact on hip-hop at large would only fully be appreciated in the years following.
Illmatic is only nine actual songs (not counting opener “The Genesis'), and while it was reportedly released in haste to combat the rampant bootlegging of an early version, it’s no less heavy a listen. Its first single, “Halftime,” appears on the soundtrack of the 1992 film Zebrahead and, coupled with his “Live at the Barbeque” verse, positioned Nas as hip-hop's next great MC, well before an album was ready. With Illmatic, Nas' poetic aptitude reveals itself, the MC introducing turns of phrase and perspective previously unheard within the art form. “My mic check is life or death, breathing a sniper's breath/I exhale the yellow smoke of buddha through righteous steps/Deep like The Shining, sparkle like a diamond/Sneak a Uzi on the island in my army jacket lining,” he spits on “It Ain’t Hard to Tell.”
Illmatic’s sample-heavy sound comes courtesy of a veritable dream team of production talent (DJ Premier, Large Professor, Q-Tip, Pete Rock, and L.E.S.), a lineup that helped to break a long-standing tradition of single-producer hip-hop albums. Together they present a unified vision of the murky, guttural, jazz-heavy hip-hop that would come to define the '90s New York sound. Aside from L.E.S., the group were all established in their lanes, but they'd elevate their practices for Nas, an MC of his caliber making it that much easier for everyone to shine. Over menacing piano lines (“N.Y. State of Mind”) and horn stabs (“It Ain't Hard to Tell”), Nas is able to transition seamlessly and continuously between freewheeling non sequiturs and vivid storytelling (a verse from “One Love” would inspire a scene in video director Hype Williams' feature film Belly).
The only person who gets a guest verse on the effort is AZ (“Life’s a Bitch”), and the Brooklyn MC makes the absolute most of the opportunity, effectively writing himself into history by “visualizin' the realism of life in actuality.” Did AZ know then what Illmatic would go on to mean for Nas and for hip-hop in general? Was he aware of the album’s potency and its likelihood to launch the man they called Nasty Nas toward superstardom while also setting a course for him to become an all-time great? Or was AZ simply chasing his own moment, another victim of Nas' unintentional goading, believing his friend when he told him, “The world is yours.”
TITLE | TIME |
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- 10 Songs, 39 Minutes
- Released: Apr 19, 1994
- ℗ 1994 Columbia Records, a division of Sony Music Entertainment
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Comix-server is a PHP-based AirComix Server acting just as the Windowsversion. Originally it was written to run on the Synology NAS. However,it can run on any platforms where Apache HTTP Server runs, such asUbuntu Linux or OS X.
Comix-server is only compatible with iOS AirComix app.
How to install
- Installer now supports both DSM 5.x and 4.x.
- Log in to the Synology DSM and make a shared folder, for example,named 'manga'. This directory will be your manga directory.
- Enable SSH and Web Station.
- Download comix-server-master.zip,unzip it, and copy install.sh and uninstall.sh to your manga directory.
- Connect to your Synology server using SSH as root and go to the mangadirectory (/volume1/manga). The path might be different in yoursystem. Modify MANGA_DIR in install.sh if the path is not /volume1/manga.
- Give the execution permission on install.sh.
- Run install.sh.
For more information about installation, please refer to the INSTALL.md.
How to uninstall
- Run uninstall.sh on the Synology shell.
Nas It Was Written Album
Special thanks to '20eung' for providing the install & uninstall script.
How to run
Nas It Was Written Lyrics Illmatic
Start Apache HTTP Server. Usually the Apache HTTP process automatically starts when the machine boots up.
How to use
- Copy your comic collection to the manga directory.
- Start the AirComix app on your iOS devices and add comix-server as an AirComix Server.Select the AirComix Server URL menu to fill in your comix-server information.Note that default port number is 31257.
- Enjoy!
It Was Written Album
How to contribute
Bug reports and pull requests are always welcome.
FAQ
Q) Which Synology DSM versions are supported?
A) The install script was tested only on DSM 5.x and 4.x. However, comix-server itself is just a web application written in PHP so it should run on any platforms with HTTPD & PHP.
Q) Which file formats are supported?
A) Comix-server supports archive formats such as ZIP and CBZ.Also it supports most image formats such as JPG, GIF, PNG, and TIFF.
Nas It Was Written Download Zip
Q) Does comix-server support RAR or CBR format?
A) Depends. Your system needs PHP extension for RAR. On Linux, you can easily install it (see http://www.php.net/manual/en/rar.installation.php for more details), but on Synology DSM, it seems very hard to install it. Please let me know if you find a way!
Q) Do I need to uncompress ZIP or CBZ files?
A) No. Like Windows version, just put them in your manga directory.However, comix-server does not handle double-zipped files.
Q) Can I have multiple directories under my manga directory?
A) Yes. You can make any directory structure.One restriction is that image files can be only in a leaf directory,which does not have any child directory.
Q) How can I change the port number?
A) See conf/httpd.conf-comix.
Q) How can I change the manga directory?
A) See comments in handler.php. You need to modify handler.php, index.php,user-setting.ini, and httpd.conf-comix.
Q) Does comix-server support password protection?
A) Yes, using Apache's basic authentication mechanism. Refer tohttp://www.cs.duke.edu/csl/faqs/web/basic-auth to know how toconfigure it. Note that the user name must be AirComix (casesensitve) and .htaccess file should be in /var/services/web/comix wherehandler.php exists. If there is no htpasswd util in your system,you can create the password file on other machines and copy it toyour system.
Q) I cannot see some files under the manga directory. What is the problem?
A) If you have a directory which contains image files as well as ZIP files,move image files (or ZIP files) to another directory.A single directory can have multiple image files or multiple ZIP files,but not both.
License
Comix-server is free software licensed under GNU GPLv3.Everyone is permitted to copy, modify, and redistribute it.